Thursday, December 4, 2008
"One Hundred Years of Solitude" Aureliano Segundo's Hereditary Memory
Monday, November 24, 2008
"One Hundred Years of Solitude" The Power of Ursula
Thursday, October 30, 2008
Burgos "I Was My Own Route" (10/30/08)
Monday, October 27, 2008
Guillen's "Bars" (10/27/08)
Thursday, October 23, 2008
Walking Around (10/23/08)
Monday, October 13, 2008
The Feather Pillow (10/13/08)
It is apparent that this marriage from the beginning is ill-suited. The young fanciful bride Alicia obviously loves her husband, although she is not encouraged to show any kind of passion towards him. Her husband never lets his love for her be shown and doing this he shuts her down. Everything surrounding Alicia is not conducive to love and passion. Her husband’s brusque manner towards her, and the “the glacial brilliance of stucco” where she lives makes Alicia wilt and cower. She succumbs and relinquishes her personal dreams of having a loving relationship.
Over time Alicia falls ill and no amount of care can rehabilitate her to her former self. Day by day her life force is vanishing. A monster is finally found in her pillowcase and her demise is blamed on this atrocious being sucking the blood out of Alicia’s body. Like her marriage this hairy bestial creature has eaten at her being. Her husband’s lack of passion and detachment destroyed her emotional side meanwhile the creature devoured her physical side. Alicia stood no chance. Without emotional strength she had no chance of surviving a physical attack. This monster could be an actual monster or a metaphorical monster.
Monday, October 6, 2008
The Opposite of Ornate and Rhetorical Poetry (10/6/08)
Marti prefers the simple world. Although this world is harsh at times in its simplicity, as is described by Marti, “the fetid viscous traces…”, and “vile, the cowards,” it is apparent that he prefers being in touch with this basic world than being without it. This world is the opposite of the ornate and rhetorical. This simple world is not embellished with superfluous adjectives to make it seem more beautiful. It is what it is. The ornate and rhetorical, however depends on vivid and complex descriptions to captivate its audience. Marti in his description emphasizes that poetry should be just like the simple world, full of nobility and truth. He feels that poetry should be an aesthetic experience of the truth, which will enable him to leave the world. He believes that the two ways two leave the world are through death or the aesthetic experience that poetry can give.
Monday, September 29, 2008
Ruben Dario (9/29/08)
Ruben Dario wants to let go of the present. He finds it anachronistic. His liberal views and thinking is making him want to leave what is stale behind. He wants to break with what is traditional. He finds a “lack of mental elevation”, the works of the New Americans still vain, and he questions his grandfather’s choice of authors, the rhythm of the poetry, and even his wife as he is more interested in his lover. Dario desires to preserve his writing as unique to him. I think that he does not respect any kind of imitation as imitation of his work by someone else would make that work less of the person’s “personal treasure.” I think that Dario, although he has in his own words, “the hand of Marquis” wants to extract himself from the upper class writing and current literature. He is not inspired by it and he does not want to move forward. He would rather search in the literature of the past for inspiration instead of in the literature and ideas of the present times.
Sunday, September 21, 2008
Facundo Overview (9/21/08)
Wednesday, September 17, 2008
Sab Analysis (9/17/08)
Sunday, September 14, 2008
Sab Chapter 1 Part II (9/14/08)
Sunday, September 7, 2008
Sab Chapters 2 and 3 Discussion Questions (9/7/08)
Sab is the story of personal discovery within its characters. The writer is making herself an accomplice to out unknown present opinion. The author is willing to take part in our opinion of what is to unfold.
Sab does not seem to be a white criollo. He definately has the mix of two races, but is not a pure mulatto. His lips show African heritage, but his nose is aquiline and his hair is shiny and full. On the other hand, Enrique is a blue-eyed young man with blond hair. Carlota is an innocent, beautiful "criolla" with chestnut colored hair, dark eyes, and a ravishing figure. Teresa is plain with no emotion in her face. Her eyes, although dark green, generally show no expression.
Chapter 3
In her youth Carlota had a very romantic notion of what her life would be with her love. She sees her tropical surroundings as she sees her love. Her love is brilliant, alive, and "bursting with life" similar to Cuba. Cuba is heady, hot, and full of beauty.
Both George Otway and don Carlos de B want the best for their children. In the case of George Otway, who was a peddler, he always strived for more. His son Enrique is similar to him, as he also seeks forune, social standing, and acceptance. On the other hand, don Carlos de B is a romantic deep down. He married his love who had no dowry and succumbs to Carlota's wishes as he just wants her to be happy. Don Carlos de B has no social or monetary ambitions similar to Carlota.
Marriages had to be approved by both families. Marriage was also an economic contract to benefit both parties. However, the fact that George Otway had been a peddler before his rise to fortune had a negative effect on the family of don Carlos de B. Although don Carlos de B approved Carlota's suitor, his family did not and removed part of her inheritance. The reader learns that if the whole family is not in sync and agreement on the match, changes can be made quickly on issues of inheritance.
Religion was also an important issue. The Roman Catholic church dominated. Since Enrique Otway's family did not have Catholics, Carlota's family found him undesirable as they were fearful he was a heretic.